Before and after Bonnard I moved through the museum without purpose or intention. I wound up in this cave-like, bricked, dimly lit area with steles, jewelry, and tapestry fragments from 200 to 400 AD. One woven fragment was mesmerizing. There was something architectural about it, and the parts that were eroded away only made what was left more exquisite. It was hard to leave.
I've been thinking about collage. I need to use my hands. The woven fragment is a push. It gave the title to this post, which is from Sally Mann
I launched two videos on my Web site today. The video seems like the form my sculpture is taking. Tomorrow is a studio day. Yay.